ALUMNOS.BUENOS ALUMNOS.
miércoles, 12 de marzo de 2008
jueves, 6 de marzo de 2008
NICO ARNICHO...oir.
Dice YOUTUBE
"Actualmente estamos realizando tareas de mantenimiento del sitio.
Ten paciencia; estaremos totalmente de vuelta muy pronto."
Entonces lo que hay que hacer es entrar a youtube y buscar:
Hang Drum performance by Nico Arnicho
http://es.youtube.com/watch?v=mp4zXp4BLg4&feature=email
Nico Arnicho solo de murga
http://es.youtube.com/watch?v=ffsbiVat-NI&NR=1
"Actualmente estamos realizando tareas de mantenimiento del sitio.
Ten paciencia; estaremos totalmente de vuelta muy pronto."
Entonces lo que hay que hacer es entrar a youtube y buscar:
Hang Drum performance by Nico Arnicho
http://es.youtube.com/watch?v=mp4zXp4BLg4&feature=email
Nico Arnicho solo de murga
http://es.youtube.com/watch?v=ffsbiVat-NI&NR=1
martes, 4 de marzo de 2008
domingo, 2 de marzo de 2008
Frozen People in the Grand Central Station
simple,conmovedor y divertido.
aplausos también para los que no estaban frozen !
volver a donde se pertenece
Tracy Chapman
THE PROMISE
If you wait for me then I´ll come for you
Although I´ve traveled far
I always hold a place for you in my heart
If you think of me, if you miss me once in a while
Then I´ll return to you
I´ll return and fill that space in your heart
Remembering
Your touch
Your kiss
Your warm embrace
I´ll find my way back to you
If youll be waiting
If you dream of me like I dream of you
In a place thats warm and dark
In a place where I can feel the beating of your heart
Remembering
Your touch
Your kiss
Your warm embrace
I´ll find my way back to you
If you´ll be waiting
I´ve longed for you and I have desired
To see your face your smile
To be with you wherever you are
Remembering
Your touch
Your kiss
Your warm embrace
I´ll find my way back to you
If you´ll be waiting
I´ve longed for you and I have desired
To see your face, your smile
To be with you wherever you are
Remembering
Your touch
Your kiss
Your warm embrace
I´ll find my way back to you
Please say you´ll be waiting
Together again
It would feel so good to be
In your arms
Where all my journeys end
If you can make a promise if its one that you can keep, I vow to come for you
If you wait for me and say you´ll hold
A place for me in your heart.
THE PROMISE
If you wait for me then I´ll come for you
Although I´ve traveled far
I always hold a place for you in my heart
If you think of me, if you miss me once in a while
Then I´ll return to you
I´ll return and fill that space in your heart
Remembering
Your touch
Your kiss
Your warm embrace
I´ll find my way back to you
If youll be waiting
If you dream of me like I dream of you
In a place thats warm and dark
In a place where I can feel the beating of your heart
Remembering
Your touch
Your kiss
Your warm embrace
I´ll find my way back to you
If you´ll be waiting
I´ve longed for you and I have desired
To see your face your smile
To be with you wherever you are
Remembering
Your touch
Your kiss
Your warm embrace
I´ll find my way back to you
If you´ll be waiting
I´ve longed for you and I have desired
To see your face, your smile
To be with you wherever you are
Remembering
Your touch
Your kiss
Your warm embrace
I´ll find my way back to you
Please say you´ll be waiting
Together again
It would feel so good to be
In your arms
Where all my journeys end
If you can make a promise if its one that you can keep, I vow to come for you
If you wait for me and say you´ll hold
A place for me in your heart.
Tracy Chapman - The Promise
"ES POÉTICO Y EL TIEMPO...EL TIEMPO ES PERFECTO"
MONI
(GRACIAS MÓNICA POR ESTA CANCIÓN)
viernes, 28 de diciembre de 2007
domingo, 9 de diciembre de 2007
sábado, 8 de diciembre de 2007
Aryana Farshad filmó lo que está abajo.
from filmmaker Aryana Farshad's amazing film of spiritual rituals and visits to sacred locations in her native Iran-- "Mystic Iran" (2002) 52 minutes.
from 2004 interview with filmmaker:
I wonder how you ever got the dervishes to consent to being filmed? There must have been some very memorable experiences that you had while making this film. Can you tell us about some of them? Tell us about that lady dervish whom I consider the star of your film. You know the one who was baking bread. She was awesome.
A: Yes, you mean Aisha. We gave her the code name Aisha. The most memorable experience I had was with Aisha.
In 2000, I had gone to Kurdistan and Sanandaj many times, location scouting for the film. The first trip, I interviewed only male dervishes. They were very kind. We smoked cigarettes together, which made our Kurdish guide very nervous. They promised to think it over about being filmed, but no answer.
One day, our Kurdish guide asked me if I wanted to meet women dervishes in Sanandaj. I ended up joining in their rituals. I am not a spectator but rather a participant in life. After my participation with them, the Khalife agreed to the filming at a later date. Some time later the Khalife invited me and my crew to join her group of women dervishes on a pilgrimage, which we did. We started out at 3 AM following behind them in a mini bus from Sanadaj to the village of Najar. We did not arrive there until 9 pm... it was a very long and mountainous drive.
When we got there, we saw a huge Sufi center. I went to the second floor, which was the women's center. It was a dorm style room, covered with kelims on the floor. The women dervishes started the sema. I decided to take a picture, forgetting that they were taking their scarves off. Most unfortunately my flash went off and all the women dervishes started shouting: "film, film" and covered over their heads with scarves. Khalife told me to sit quiet. I went to the corner and kept quiet. Everyone quietly went off to sleep. I realized that I had disrupted the ceremony.
One of woman dervishes, Aisha, was still in trance and she was "speaking in tongues." I was alone with them as everyone else was asleep. I was worried about Aisha. She kept crying, lamenting and growling.
Presently as her friend came around, I asked her why Aisha was in that state. I found out that her Sema was interrupted and she was stuck in trance and needed to finish the cycle of sema. I went down stairs and asked Sheik Najar's daughter in law to join the circle and play the Daf. Aisha went through the trance and dancing. Gradually one by one the women dervishes sleeping next door awoke and joined the circle of Sama. We finished around 4:30 in the morning. I got close to Aisha and her friend after this episode. The scene of fire eating happened the next day, at 6am, while she was baking bread for the retreat.
from 2004 interview with filmmaker:
I wonder how you ever got the dervishes to consent to being filmed? There must have been some very memorable experiences that you had while making this film. Can you tell us about some of them? Tell us about that lady dervish whom I consider the star of your film. You know the one who was baking bread. She was awesome.
A: Yes, you mean Aisha. We gave her the code name Aisha. The most memorable experience I had was with Aisha.
In 2000, I had gone to Kurdistan and Sanandaj many times, location scouting for the film. The first trip, I interviewed only male dervishes. They were very kind. We smoked cigarettes together, which made our Kurdish guide very nervous. They promised to think it over about being filmed, but no answer.
One day, our Kurdish guide asked me if I wanted to meet women dervishes in Sanandaj. I ended up joining in their rituals. I am not a spectator but rather a participant in life. After my participation with them, the Khalife agreed to the filming at a later date. Some time later the Khalife invited me and my crew to join her group of women dervishes on a pilgrimage, which we did. We started out at 3 AM following behind them in a mini bus from Sanadaj to the village of Najar. We did not arrive there until 9 pm... it was a very long and mountainous drive.
When we got there, we saw a huge Sufi center. I went to the second floor, which was the women's center. It was a dorm style room, covered with kelims on the floor. The women dervishes started the sema. I decided to take a picture, forgetting that they were taking their scarves off. Most unfortunately my flash went off and all the women dervishes started shouting: "film, film" and covered over their heads with scarves. Khalife told me to sit quiet. I went to the corner and kept quiet. Everyone quietly went off to sleep. I realized that I had disrupted the ceremony.
One of woman dervishes, Aisha, was still in trance and she was "speaking in tongues." I was alone with them as everyone else was asleep. I was worried about Aisha. She kept crying, lamenting and growling.
Presently as her friend came around, I asked her why Aisha was in that state. I found out that her Sema was interrupted and she was stuck in trance and needed to finish the cycle of sema. I went down stairs and asked Sheik Najar's daughter in law to join the circle and play the Daf. Aisha went through the trance and dancing. Gradually one by one the women dervishes sleeping next door awoke and joined the circle of Sama. We finished around 4:30 in the morning. I got close to Aisha and her friend after this episode. The scene of fire eating happened the next day, at 6am, while she was baking bread for the retreat.
Mystic Iran -- Women dervish dance and trance
mujeres...nadie puede prohibir para siempre que ellas giren.
el fuego interior,y ese pan....
Whirling Dervishes
algunos derviches,no se dejan postear a este blog...mientras vemos estos que si se dejan y comparten su meditación.
domingo, 2 de diciembre de 2007
lunes, 26 de noviembre de 2007
domingo, 25 de noviembre de 2007
Caetano Veloso y Gilberto gil -desde que o samba e 13/25
A tristeza é senhora
Desde que o samba é samba é assim
A lágrima clara sobre a pele escura
A noite a chuva que cai lá fora
Solidão apavora
Tudo demorando em ser tão ruim
Mas alguma coisa acontece no sempre agora em mim
Cantando eu mando a tristeza embora
O samba ainda vai nascer
O samba ainda não chegou
O samba não vai morrer
Veja, o dia ainda não raiou
O samba é pai do prazer
O samba é filho da dor
O grande poder transformador
